Lovely review of Told and Untold Stories in Vanguard Seattle

August 30, 2014

In the waning days of Stephen’s recent show at Winston Wächter Fine Art in Seattle, his work received praise from Vanguard Seattle’s managing editor, T. s. Flock:

“Last Chances: Three Gallery Shows Worth Running To, August 2014″

Stephen O’Donnell at Winston Wächter

I always love when O’Donnell comes out with a new show; the content doesn’t change drastically, and yet he always surprises me. The exquisitely skilled painter has for years created self-portraits in the style of the ancien regime transposing his face (and occasional glimpses of chest hair) onto the lavishly attired bodies of aristocratic women. Like Yoshida’s work, this is no mere narcissism, but a sly play on expectations of gender and beauty, and though it is always O’Donnell’s face, his varied expressions, positions and costumes make him a vessel for other identities, not the other way around.

This collection titled Told and Untold Stories is moodier and darker than much of his earlier work. The coquettes and animals and O’Donnell’s playful sense of humor and immaculate skill are the same; in most cases the palette is consistent with portraiture of the 18th century—bright and appealing bursts of primary colors, richly textured textiles, delicate lace and tresses, all posed among warm interiors and pristine gardens. He is also fond of mise en abyme compositions that become all the more recursive when multiple incarnations of O’Donnell occur the deeper one descends into the background. The layered compositions, sealed letters heavy coverings on bodies and windows create a palpable intrigue. But a few pieces take a darker palette, a greener hue uncharacteristic of the others, acquiring a light and a mood more romantic than baroque.

These pieces show that O’Donnell’s range is still increasing and it will be interesting to see where this trajectory may take him. All the while, his other works remain fresh and breathe new life and warmth into old tropes. Of special note is his triptych of the three goddesses Hera, Athena and Aphrodite, whom Paris was asked to judge as the most beautiful. It was a no win situation for the man, of course, and it doesn’t end well for him and all of Troy. O’Donnell shows what a chameleon he is, channeling these dangerous deities—imperious and jealous Hera, unyielding and cool Athena, seductive and capricious Aphrodite—with their symbolic birds and perfect choices for hair and dress. O’Donnell’s work is a feast for the eyes, and those who love fashion and style—especially the implicit androgyny and gender-bending of haute couture—O’Donnell’s work is a must see.

See the complete article here at Vanguard Seattle.

 

 

 

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Terrific review of Told and Untold Stories in the Seattle Times

July 30, 2014

For the Sunday, July 27th edition of the Seattle Times, the Times arts writer, Michael Upchurch, wrote a glowing review of Stephen’s current show at Winston Wächter Fine Art.

Infanta - acrylic on panel - 30x24 - 2014 - ws detail

Infanta – acrylic on panel – 30×24 – 2014 – detail

 

 

 

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Told and Untold Stories, now at Winston Wächter in Seattle

July 25, 2014

Stephen’s most recent exhibition, Told and Untold Stories, can be seen at Winston Wächter Fine Art in Seattle, July 22 – August 30.

 

 

 

The Judgement of Paris

The Judgement of Paris – Hera, Aphrodite, Athena – each acrylic on panel, 24×24, 2014.

 

 

 

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Artist Talk at the Portland Art Museum, March 13, 2014

March 14, 2014

Celebrated filmmaker Brian Lindstrom – Alien Boy, Finding Normal – invited Stephen to join him for an hour long conversation that focused on Stephen’s career, artistic process and, in particular, on his 2002 painting, L’Amoureux argenté, which was recently acquired by the Portland Art Museum.  The sold-out event was followed by an informal reception.

Art Talk audience

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Photograph courtesy of Brian Lindstrom

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Stephen speaks to the Northwest Art Council

February 25, 2014

On Friday, February 21, Stephen spoke to members of the Portland Art Museum’s Northwest Art Council, along with five other artists whose work is also currently on display in the galleries of the museum’s Arlene and Harold Schnitzer Center for Northwest Art.  For this private reception, Stephen talked about his painting, L’Amoureux argenté, which was recently acquired by the museum for its permanent collection.

L'Amoureux argenté

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Stephen’s work in the Portland Art Museum

December 6, 2013

Stephen’s painting from 2002, L’Amoureux argenté, has been acquired for the permanent collection of the Portland Art Museum.

 

L’Amoureux argenté – acrylic on panel – 16×12 – 2002

L'Amoureux argenté

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Best Dressed/Undressed reviewed in The Seattle Times

July 27, 2013

best dressed undressed

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Best Dressed/Undressed at Winston Wächter

July 16, 2013

Stephen currently has three paintings included in the Best Dressed/Undressed group exhibition at Winston Wächter in Seattle.

Best Dressed/Undressed

 

 

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Adam – after Dürer

July 14, 2013

Stephen’s recent work Adam – after Dürer was shown in Froelick Gallery’s summer group exhibition of work by represented artists from June 4th to July 13th, and he is happy to announce that this painting has subsequently entered an important Maryland collection.

Adam - after Dürer - larger - acrylic on panel - 30x18 - 2013

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La Vue à travers at Froelick Gallery, October 30 – December 15

November 9, 2012

Stephen’s most recent exhibition, La Vue à travers, is now on view at Froelick Gallery in Portland.  Showing with Stephen are sculptor Ronna Neuenschwander and painter Kevin Kadar.  Stephen and Ronna will participate in an artist talk at 11:00am on Saturday, November 10th.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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