May 4, 2015
Stephen is thrilled to be showing twenty new paintings at Froelick Gallery in Portland this month in celebration of the twentieth anniversary of his career as a professional artist. His first show debuted twenty years ago – to the month – and much of the work in this present exhibition is influenced or inspired by themes and/or individual paintings he has done over the years.
“95 / 15”, Froelick Gallery, 5-30 May 2015.
Venus Cosmeticus – acrylic on panel – 24×24 – 2015
March 28, 2015
Stephen is pleased to have two recent paintings included in a group show at Abmeyer+Wood in Seattle. The theme of the exhibition examines the cross-pollination between the worlds of fine art and fashion – rather a natural fit for Stephen’s work.
“Art In True Fashion”, Abmeyer+Wood, 29 March-2 May 2015.
November 11, 2014
Stephen is very excited to announce this project, scheduled for publication next year. The large format book – in both hardcover and softcover – will feature forty+ of his paintings and twenty-five pieces of short fiction inspired by his work. His wife, writer Gigi Little, will be the literary editor of the collection, and the list of writers who’ve agreed to participate is truly amazing:
Cheryl Strayed, Lidia Yuknavitch, Tom Spanbauer, Monica Drake, Scott Sparling, Vanessa Veselka, Suzy Vitello, David Ciminello, Kathleen Lane, Robert Hill, Karen Munro, Colin Farstad, Liz Fischer Greenhill, Kevin Meyer, Brad Rosen, Dian Greenwood, Stephen Arndt, Laura Stanfill, Matty Byloos, Edie Rylander, Douglas Chase, Lisa Kaser, Liz Scott, Stephen Rutledge, Sara Guest
There will be a Kickstarter campaign in support of this publication; look for more information in the very near future.
October 19, 2014
Stephen is very happy to be the featured artist for the Fall 2014 issue of Menacing Hedge. He also participated in a full interview with the prestigious literary journal. Find the Menacing Hedge website here.
August 30, 2014
In the waning days of Stephen’s recent show at Winston Wächter Fine Art in Seattle, his work received praise from Vanguard Seattle’s managing editor, T. s. Flock:
“Last Chances: Three Gallery Shows Worth Running To, August 2014”
Stephen O’Donnell at Winston Wächter
I always love when O’Donnell comes out with a new show; the content doesn’t change drastically, and yet he always surprises me. The exquisitely skilled painter has for years created self-portraits in the style of the ancien regime transposing his face (and occasional glimpses of chest hair) onto the lavishly attired bodies of aristocratic women. Like Yoshida’s work, this is no mere narcissism, but a sly play on expectations of gender and beauty, and though it is always O’Donnell’s face, his varied expressions, positions and costumes make him a vessel for other identities, not the other way around.
This collection titled Told and Untold Stories is moodier and darker than much of his earlier work. The coquettes and animals and O’Donnell’s playful sense of humor and immaculate skill are the same; in most cases the palette is consistent with portraiture of the 18th century—bright and appealing bursts of primary colors, richly textured textiles, delicate lace and tresses, all posed among warm interiors and pristine gardens. He is also fond of mise en abyme compositions that become all the more recursive when multiple incarnations of O’Donnell occur the deeper one descends into the background. The layered compositions, sealed letters heavy coverings on bodies and windows create a palpable intrigue. But a few pieces take a darker palette, a greener hue uncharacteristic of the others, acquiring a light and a mood more romantic than baroque.
These pieces show that O’Donnell’s range is still increasing and it will be interesting to see where this trajectory may take him. All the while, his other works remain fresh and breathe new life and warmth into old tropes. Of special note is his triptych of the three goddesses Hera, Athena and Aphrodite, whom Paris was asked to judge as the most beautiful. It was a no win situation for the man, of course, and it doesn’t end well for him and all of Troy. O’Donnell shows what a chameleon he is, channeling these dangerous deities—imperious and jealous Hera, unyielding and cool Athena, seductive and capricious Aphrodite—with their symbolic birds and perfect choices for hair and dress. O’Donnell’s work is a feast for the eyes, and those who love fashion and style—especially the implicit androgyny and gender-bending of haute couture—O’Donnell’s work is a must see.
See the complete article here at Vanguard Seattle.
July 30, 2014
For the Sunday, July 27th edition of the Seattle Times, the Times arts writer, Michael Upchurch, wrote a glowing review of Stephen’s current show at Winston Wächter Fine Art.
Infanta – acrylic on panel – 30×24 – 2014 – detail
July 25, 2014
Stephen’s most recent exhibition, Told and Untold Stories, can be seen at Winston Wächter Fine Art in Seattle, July 22 – August 30.
The Judgement of Paris – Hera, Aphrodite, Athena – each acrylic on panel, 24×24, 2014.
March 14, 2014
Celebrated filmmaker Brian Lindstrom – Alien Boy, Finding Normal – invited Stephen to join him for an hour long conversation that focused on Stephen’s career, artistic process and, in particular, on his 2002 painting, L’Amoureux argenté, which was recently acquired by the Portland Art Museum. The sold-out event was followed by an informal reception.
Photograph courtesy of Brian Lindstrom
February 25, 2014
On Friday, February 21, Stephen spoke to members of the Portland Art Museum’s Northwest Art Council, along with five other artists whose work is also currently on display in the galleries of the museum’s Arlene and Harold Schnitzer Center for Northwest Art. For this private reception, Stephen talked about his painting, L’Amoureux argenté, which was recently acquired by the museum for its permanent collection.
December 6, 2013
Stephen’s painting from 2002, L’Amoureux argenté, has been acquired for the permanent collection of the Portland Art Museum.
L’Amoureux argenté – acrylic on panel – 16×12 – 2002